I love photography, and I think it’s important — one of the purest art forms we have. But the medium is struggling for meaning. Screens have shrunk, speed has accelerated, and the flood of images has stripped away some of the discipline that once defined the art.

This space is about slowing down, looking harder, and making photographs with weight. For me, that often means printing — letting an image exist as a larger piece of art you can stand in front of and truly experience.

The goal isn’t to reject change or retreat into the past. It’s to be deliberate about what we keep, what we let go of, and what we make next — so the work holds up in print, in memory, and in meaning.

The Correction
Smartphone abundance has collapsed our visual vocabulary. A hundred million disposable images a day replace seeing with recording. Subtlety dies on small screens; algorithms reward the obvious. To restore visual intelligence, photography must reject